Kaifi Azmi (Hindi: कैफ़ी आज़मी; Urdu: کیفی اعظمی; January 14, 1919 – May 10, 2002) was an Indian Urdu poet. He is considered to be one of the greatest Urdu poets of 20th century. Together with Pirzada Qasim, Jon Elia and others he participated in the most memorable mushairas of the twentieth century.
Early life
Azmi was born in the 
village of Mizwaa(n) in Azamgarh, Uttar Pradesh, India.
Family
Azmi was married to Shaukhat 
Azmi. They have a daughter, Shabana Azmi (An Indian Actress of film, 
television and theatre) and a son, Baba Azmi (Indian Cinematographer).

 Career
Writings
At age eleven, Azmi 
wrote his first ghazal Itna To Zindagi Mein Kisi Ki Khalal Pade and 
somehow managed to get himself invited to a mushaira and over there, he recited a ghazal, 
rather a couplet of the ghazal which was very much appreciated by the president 
of the mushaira, Mani 
Jaisi, but most of the people, including his father, thought he recited his 
elder brother's ghazal. When his elder brother denied it, his father and his 
clerk decided to test his poetic talent. They gave him one of the lines of a 
couplet and asked him to write a ghazal in the same meter and rhyme. Azmi 
accepted the challenge and completed a ghazal. This particular ghazal was to 
become a rage in undivided India and it was immortalized as it was sung by 
legendary ghazal singer, Begum 
Akhtar.
Azmi abandoned his 
studies of Persian and Urdu during the Quit India 
agitations in 1942 and shortly thereafter became a full-time Marxist when he 
accepted membership of the Communist Party of India in 1943.
During this period, 
the leading progressive writers of Lucknow noticed him. They were very impressed 
by his leadership qualities. They also saw in him a budding poet and extended 
all possible encouragement towards him. Consequently, Azmi started to win great 
acclaim as a poet and became a member of Progressive Writers' Movement 
of India.
At the age of 
twenty-four, he started activities in the textile mill areas of Kanpur. As a full-time worker, he left his life of 
comfort, though he was the son of a zamindar. He was asked to shift his base to 
Bombay, work amongst 
the workers and start party work with a lot of zeal and enthusiasm and at the 
same time would attend mushairas in different parts of India. In Bombay, he 
joined Ali Sardar 
Jafri in writing for the party’s paper, Qaumi Jung.
In 1947, he visited Hyderabad to participate in a mushaira. There 
he met, fell in love with and married a woman named Shaukat Azmi. She later 
became a renowned actress in theatre and films. They had two children together, 
Shabana Azmi (b. 1950), a 
renowned actress of Indian cinema and Baba Azmi, a noted cameraman.
Poetry
Like most of the Urdu 
poets, Azmi began as a ghazal writer, cramming his poetry with the repeated 
themes of love and romance in a style that was replete with clichés and 
metaphors. However, his association with the Progressive Writers' Movement 
and Communist Party made him embark on the path of socially conscious 
poetry.
In his poetry, he highlights the exploitation of the subaltern masses and 
through them he conveys a message of the creation of a just social order by 
dismantling the existing one. Yet, his poetry cannot be called plain propaganda. 
It has its own merits; intensity of emotions, in particular, and the spirit of 
sympathy and compassion towards the disadvantaged section of society, are the 
hallmark of his poetry. His poems are also notable for their rich imagery and in 
this respect, his contribution to Urdu poetry can hardly be overstated.
Azmi's first 
collection of poems, Jhankar was published in 1943. His important works 
including anthologies of poetry, were Aakhir-e-Shab, Sarmaya, 
Awaara Sajde, Kaifiyaat, Nai Gulistan, an anthology of 
articles he wrote for Urdu Blitz, Meri Awaaz Suno, a selection of 
his film lyrics, and the script of Heer Ranjha in Devanagari.
His best known poems are Aurat, 
Makaan,Daaera,Saanp, and Bahuroopni.Films
Azmi's work in films 
includes working as a lyricist, writer and actor. Azmi wrote his first lyrics 
for the film Buzdil, 
directed by Shaheed 
Latif, in 1952. His early work as a writer was mainly for Nanubhai 
Vakil's films like Yahudi Ki Beti (1956), Parvin (1957), 
Miss Punjab Mail (1958) and Id Ka Chand (1958).
While directors like 
Khwaja Ahmad 
Abbas and Bimal Roy strove 
to create the “New Cinema”, writers like Sahir Ludhianvi, Jan Nisar Akhtar, Majrooh 
Sultanpuri, and Kaifi changed the tenor and vocabulary of the Hindi film 
song, creating a fresh new wave in Hindi film lyrics that lasted many years. 
His greatest feat as a 
writer was Chetan Anand's Heer Raanjha (1970) wherein the entire 
dialogue of the film was in verse. It was a tremendous achievement and one of 
the greatest feats of Hindi film writing. Azmi also won great critical accolades 
for the script, dialogues and lyrics of M.S. Sathyu's Garam Hawa (1973), based on a 
story by Ismat 
Chughtai. Azmi also wrote the dialogues for Shyam Benegal's Manthan (1976) and Sathyu's Kanneshwara Rama 
(1977).
As a lyricist and 
songwriter, though he wrote for numerous films, he will always be remembered for 
Guru Dutt's Kaagaz Ke Phool 
(1959) and Chetan Anand's Haqeeqat (1964), India's greatest war film. Some 
notables films for which he wrote lyrics include Kohra (1964), Anupama 
(1966), Uski 
Kahani (1966), Saat 
Hindustani (1969), Shola Aur Shabnam, Parwana 
(1971), Bawarchi (1972), Pakeezah (1972), Hanste Zakhm (1973), Arth (1982) and Razia 
Sultan (1983). He also played a memorable role of Naseem's grandfather 
in Naseem (1995).
Azmi died on May 10, 2002 at around the age of eighty three. He was survived 
by his wife, daughter and son.His autobiography is included in a collection of his works, Aaj Ke Prashid Shayar: Kaifi Azmi.
In media
Azmi was the subject 
of a documentary film called Kaifi Azmi (1979), directed by Raman 
Kumar. In 1997, he recited his own poems for Kaifiyaat, an audio book 
on his collected works.
Kaifi Aur Mein, 
a play based on his life, his works and the memoir of his wife, Shaukat 
Azmi – Yadon Ki Rahguzar (Down Memory Lane), was written and 
performed by Javed Akhtar 
and Shabana Azmi, and 
performed in India as well as abroad in 2006. Another play, directed by Rani Balbir, Waqt Ne 
Kiya Kya Hasin Sitam, based Kaifi Azmi’s life and writings was staged in 
2005, and received rave reviews.
Awards
He was the recipient 
of Padma Shri one of the 
Indian Government's highest civilian awards. Besides he was awarded the Uttar 
Pradesh Urdu 
Academy Award and the Sahitya Akademi 
Award for Urdu for his collection Awaara Sajde, Special Award of 
Maharashtra Urdu Academy, Soviet Land Nehru Award, Lotus Award from the 
Afro-Asian Writers' Association, and President’s Award for national integration. 
In 1998, Government of Maharashtra conferred 
the Jyaneshwara Award on him. He was also honoured with the prestigious Sahitya Akademi Fellowship for 
lifetime achievement.
In 2000, he was 
conferred the first Millennium Award by the Government of Delhi and the Delhi 
Urdu Academy. He has also been honoured with a doctorate from Vishva 
Bharati University, Santiniketan. 
Sahitya Akademi Award
- 1975: Sahitya Akademi Award: Awara Sajde
 - 2002: Sahitya Akademi Fellowship (Immortals of Literature)
 
National Film Awards
- 1970: National Film Award for Best Lyrics: Saat Hindustani
 
Filmfare Awards
- 1975:Filmfare Best Dialogue Award: Garam Hawa
 - 1975:Filmfare Best Screenplay Award: Garam Hawa (with Shama Zaidi)
 - 1975:Filmfare Best Story Award: Garam Hawa (with Ismat Chughtai)
 
Famous verses
- Aaj ki raat bahut garam hawa chalti hai
 
Hum sub uthen, main bhi uthun, tum bhi utho
Koi khidki isi deewar mein khul jayegi
- Makaan
- Tu jo bejaan khilonon se behel jaati hai
 
Paaon jis raah mein rakhti hai fisal jaati hai
Banke seemaab har ik zarf mein dhal jaati hai
Zist ke aahni saanche main dhalna hai tujhe
uth meri jaan mere saath hi chalna hai tujhe…
– Aurat (Woman)
- Waqt Ni Kiya Kya Haseen Sitam
 
Tum rahe na tum,Hum 
Rahe na Hum.
- Film Kaagaz Ke Phool 1959
- Film Kaagaz Ke Phool 1959
- Tum Itna Jo Muskura Rahe Ho
 
Kya gum hai jisko 
Chupa rahe Ho.
- Film Arth (1982)
- Film Arth (1982)
Meri khwabo ko tum asko me dubote keu ho?
Jo meri tarha jia karte hai kab marte hai
Thak gaya hu mujhe solene do rote keu ho?
Soke bhi jagte rahte hai janbaz suno.
keu sazai ho chandan ke chita mere liey
mai koi jism nahi jalao ge mujhe
rakh ke saath bikhar jaunga dunia me
thokar jahan khaogey waha paogey mujhe
Select bibliography
- Kaifi Azmi- Fan Aur Shaqsiyat (Urdu), Mayar Publications, 2004.
 - Kaifiyaat:Kulliyat-e-Kaifi Azmi(URDU)), Educational Publishing House,2003.ISBN 8187667788.
 - Zehr-e-Ishq (Hindi), Vani Prakashan, 2003.
 - Heer Ranjha (Hindi), Vani Prakshan 2003.
 - Steel Man was Here, Penguin, 2002.
 - Kaifi Azmi- Selected Poems and Life Sketch, Rajpal Publishers, 2002. ISBN 81-7028-395-7.
 - Aaj Ke Prashid Shayar: Kaifi Azmi-Chuni Hui Shayari (Hindi), Rajpal & Sons, 2002.ISBN 8170285429.
 - Meri Awaz Suno (Hindi), Rajkamal Prakashan, 2002.
 - Nai Gulistan Vol.1 (Hindi), Rajkamal Prakashan, 2001.
 - Nai Gulistan Vol.2 (Hindi), Rajkamal Prakashan, 2001.
 - Doosra Banwas (Hindi), Diamond Pocket Books Pvt. Ltd. ISBN 81-288-0982-2.
 - Awara Sajde (Hindi), Lokbharti Prakashan, 1995.
 - Sarmaya (Urdu), Mayar Publications, 1994.
 
Articles on Kaifi Azmi
- Kaifi Azmi: Symbol of resistance – Ranjit Hoskote.The Hindu, Sunday, 19 May 2002.
 - Kaifi Azmi: A poet and a gentleman. The Times Of India, 10 May 2002.
 - Kaifi Azmi: the last comrade-poet – Tarique Omum. The Milli Gazette.
 
Source : Wikipedia
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